Kari and Maureen

Canadian actress. Matchett was born in Spalding the province of Saskatchewan. She started her career as an actor after her move to Ontario. In the latter part of the nineties, she began acting in Canadian television. Later she moved to United States where she starred in The Secrets of Nero Wolfe Invasion The 24 Hours of Studio 60 and Ambulance Earth. It was the Last Conflict. The year 2001 saw her win the Gemini Award for her role in the Canadian television series The Department of Wet Cases. She has also portrayed the ex-wife to one of Impact's main characters over several seasons. She has been playing Joan Campbell since 2010 in the TV show Covert Operations. Cube 2, a 2002 Canadian film that was her first major-screen performance. She also appeared as a character in Angel Eyes Boys with Broomsticks The Tree of Life as well as Hypercube. Divorced. The first child she had known as Jude Lyon Matchett was born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) attracted attention for her striking beauty stunning red hair and passionate portrayals of spirited heroines. Her charmed audience members with her effortless confidence and strong presence. Whether she was being rescued off the Gallows (The Hunchback of Notre Dame in 1939) and falling for Walter Pidgeon under a coal blackened skies at the beginning of 1941 (How Green Was My Valley) and learning to believe in miracles along with Natalie Wood (Miracle on 34th Street in 1947). Maureen O'Hara by Aubrey Malone is the first full-length book of a biography about the screen icon who was dubbed the"Queen of Technicolor.. Following the star from her childhood in Dublin until her peak of fame Hollywood film reviewer Aubrey Malone draws on new data from the Irish Film Institute production notes from films and details of historical film journal as well as fan magazines and newspapers. Malone examines her friendship and relationship with John Wayne, and the connection she enjoyed in common with John Ford. He also examines the debate about whether or not the actress was antifeminist. The actress, who was a symbol of the golden age of cinema it is still a mystery because her characteristics of being private and her public statements contradicting her personal choices. This new biography gives an opportunity to look at the person who created the iconic character of her day.